You’ve arrived at the digital1 lilypad of Rosemary Wexler. Welcome!

1. As in, made with fingers and toes. ☝︎

Right now, I’m darning “a play on denim.”

I weave functional, historical, and ritual cloth on a barn loom2. Since 2019, my craft home has been Marshfield, Vt, where I studied under Kate Smith and Norman Kennedy.

2. A genre of technology from early “New England,” often timber framed and fitted to individual weavers. ☝︎

a white trans woman stands inside the wooden skeleton of a loom. in the middle of working the threads, she looks up at the camera. her curly hair is still drying. the studio is full of winter light and warm wood. a white trans woman stands inside the wooden skeleton of a modern loom (belonging to Noel Guetti). in the middle of working the threads, she looks up at the camera. her curly hair is still drying. the studio is full of winter light and warm wood.

This niche practice has taken me many places, including restoring Laura Ingalls Wilder’s daybed, researching spider brains in Scotland, listening to looms for Montez Press Radio, and helping to develop the next generation of programming at the Weaver's Croft.

How is heritage artisanship like a river? Or a hocket with many voices?

What subtle insights hide in the technical, material, and interpersonal webs of production weaving?

What if we made the embodied transmission of living craft knowledge our raw material?

I am available for…

To explore more, visit Meet me in the loom. For my off-loom studio, see Orb web. And please leave me a message via email.